Hail, Caesar!: Silly brilliance by the Coen
Brothers. Time is the early 1950’s. Place is Capital
Pictures, a mythical Hollywood movie studio. The film opens with a focus
on Eddie Mannix (Josh Brolin), who is the “Head of Physical Production” for
Capital and a “Fixer”. Everything that happens thereafter flows
through Mannix. This movie works because despite the utter silliness and
seeming chaos of the underlying tales, the Mannix character threads through and
connects everything. The story takes place over a few consecutive
days and runs the gauntlet of Mannix dealing with twin gossip columnists (Tilda
Swinton) to Baird Whitlock (George Clooney), the lead actor in a movie called
“Hail, Caesar”, being kidnapped. Whitlock’s kidnapping is the
primary story line, however, there are numerous sub-stories. For
instance, a pregnant but unmarried Ester Williams
type actress (Scarlett Johansson) investigates
whether she can legally adopt her own child, which leads to a brief and funny
appearance by Jonah Hill as an accountant who will make it happen. Then
there’s Channing Tatum as a Gene Kelly type actor with his own unique
issues. The actor who is brilliant throughout the film is Alden
Ehrenreich as Hobie Doyle, a Singing Cowboy who is asked to do a period drama,
which leads us to Ralph Fiennes as the director who must deal with Hobie’s
total lack of acting ability, and Frances McDormand as a film editor who has a
near fatal accident. While tumbling
through the ruckus of these incidents, the movie returns to Whitlock’s
kidnapping and the kidnappers. This entire 100 minute film is done
in a blaze of fun. The actors project a genuine joy in romping
through this parody of various movie stars from the 1950’s. The film is
brilliant and for anyone who enjoys movies, this is a must see.
Sunday, February 14, 2016
Friday, February 5, 2016
Movie: The Finest Hours
The Finest Hours: a rescue at sea & romance
combo. The advertisements for this movie center on the fact that it
is a true story of a miraculous rescue at sea. The opening scene,
however, is the first date between Coast Guardsman Bernie Webber (Chris
Pine)and his bride to be, Miriam (Holliday Grainger). In fact, a
significant portion of the film is devoted to their love story. The time
is Winter 1951 and the location is Cape Cod. The focus remains on
the Bernie/Miriam romance until February 1952, when the couple become
engaged. At this point, the film finally switches, for the most
part, to the massive storm and the subsequent rescue. The rescue is
dramatic and, to this day, remains the most successful Coast Guard small boat
rescue on record. Webber and his 3-man crew accomplish something no
less than spectacular in dealing with an oil tanker split in two during an
extreme Atlantic winter storm. The scenes involving the floating
half of the tanker are the strongest parts of this movie as are the scenes with
Webber and crew crossing a sandbar to get to the tanker. During the run
of the credits, we learn that Bernie and Miriam were together for 58 years,
which is wonderful. The movie, however, has a distinct Hallmark ambience
and too much of the 117 minutes are devoted to Miriam. The exceptions are
those scenes involving Miriam’s conversations with a widow who lost her husband
in a similar storm. Rachel Brosnahan gives a strong performance as the
widow. Casey Affleck, as the chief engineer who manages to keep the
tanker afloat long enough for Webber to arrive, also turns in a strong
performance. Unfortunately, The Finest Hours may also have
provided 2016’s worse performance in a supporting role. Eric Bana is
terrible as Chief Warrant Officer Daniel Cluff, Webber’s commander, and his
attempts at mimicking a Southern accent are abysmal. The movie’s
director is Craig Gillespie. The scenes at sea work, especially those on
the tanker. The same cannot be said for the far too abundant scenes on
land.
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