The Great Gatsby: a combination of exquisite scenes
and one dimensional characters. It is a beautiful movie deserving of
Oscar nominations for cinematography and costume. The clothing,
jewelry and autos offer much to behold. If only the actors had a
stronger script. Leonardo DiCaprio is a credible Jay
Gatsby. Tobey Maguire plays Nick Carraway and he has more screen
time than DiCarpio. I think we are close to 30 minutes into the movie
before we meet Gatsby. This would not be a problem if Tobey had
something to do besides observe and narrate. There are too many scenes of
Toby just observing. The one dimensional characters are Daisy and Tom Buchannan,
played by Carey Mulligan and Joel Edgerton. Tobey is second cousin
to Daisy and lives next door to Gatsby in the equivalent of servants’
quarters. The Daisy character in the original F. Scott Fitzgerald novel
is an idolized persona and is part of the reason none of the previous Gatsby
movies worked, not including the lost silent movie version. In this
movie, Daisy is beautiful but without substance. But the real weak link
is Tom. His performance would be apropos in a silent film but amidst
all the spectacle in this movie, it is unfortunate. Edgerton is at his
best in the only traditionally filmed scene: a hotel room with all the major
characters present. The love both Gatsby and Tom have for Daisy is
presented with Nick observing. This is one of the few conventional
movie scenes. For me, there is enough glitter to sustain the
movie. The director, Baz Luhrmann, brings to life the times about
which Fitzgerald wrote. Using Jay-Z’s score works for most of the
movie but, for this jazz age tale, not completely. Most of you know the
story: Gatsby lives in a mansion outside NYC and has virtually unlimited funds
to throw elaborate parties. In an earlier life, he met and fell in
love with Daisy. He recreated himself and became rich by being the
public face for a Jewish mobster, all of which was done to reconnect with Daisy
who during the intervening time had married Tom. Gatsby befriends
Nick to reconnect with Daisy. The screenplay is jointly written by
Luhrmann and Craig Pearce and the anti-Semitism and racism of the times is
presented. But why cast an Indian actor, Amitabh Bachchan, as the
Jewish mobster? It has been years since I read the novel but I think the
movie is true to the underlying story, which arguably has some of the same
faults. However, Fitzgerald’s work is closer to a novella while the
movie lasts 143 minutes. With tighter editing, this movie could have
been worth all the promotional dollars spent. Still, it is worth
seeing and the viewing should be in a big screen theater with a wall to wall
audio system.
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