This is the End: rapture cometh with
drugs. Six male friends are ensconced in a Hollywood house as the
Book of Revelations is played out. The film is a series of comedic
sketches, some of which are truly funny, with no pretense of reality. The
movie opens with Jay Baruchel, playing himself, flying into LAX to visit his
buddy, Seth Rogen, who is also playing himself. Rogen drags an unwilling
Jay to a party at the house of James Franco, also playing himself (think we
have a theme?) where drugs abound. Jay leaves the house to buy some
smokes and, at the liquor store, watches as a blue light lifts some of the
people towards the heavens. Initially, you don’t know whether this
will be just another druggie film. Instead, this apocalyptic movie
contains individual episodes focusing on whether any of the six friends will be
lifted to Heaven – not all are. The movie is directed by Seth Rogen and
co-written with Evan Goldberg. Other actors playing themselves include
Jonah Hill, Danny McBride, Craig Robinson, Paul Rudd and Rihanna.
Channing Tatum appears late in the movie in a funny scene that is 180 degrees
from his John Cale role in White House Down. To categorize the
humor as sophomoric is an insult to sophomores, however, you will laugh while
watching this 119 minute movie that has no redeeming quality other than just
being funny. The movie makes fun of the actors: “ You always play
the same guy in every movie. When are you going to do some acting?” says a
heckler at LAX to Rogen. Franco is mocked with references to Pineapple
Express. No one in this film had to do any emoting, with the possible
exception of Tatum, as everyone seemed to be within a comfort zone of being
themselves. The primary female in the film is Emma Watson. She appears
in a sketch that begins with Jay in the next room saying she must be fearful
about being raped with all the Rapture events occurring. When Watson
hears the word rape and knowing there are six males outside her door she starts
reacting by attempting to “defend” herself. I could describe the
sketches, which range from food fights to sleeping arrangements, but the
descriptions would only make you wonder why anyone is laughing. This film
shows that pedestrian ideas can be successfully translated to humor on
screen. This film is crass with barely a plot and presents a
plethora of narcissistic and social disorders, however, unlike White House
Down, this movie intends to be funny and it succeeds.
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