Inside Llewyn Davis: a Coen Brothers
movie. Another excellent and, as one has come to expect, a very
unique film from Joel and Ethan Coen. This time the year is 1961 and
Llewyn (a Welsh name we are told) Davis is a folk singer. The film opens
with Davis singing at a Greenwich Village folk club. The song is
“Hang Me. Oh Hang Me” and Davis also sings it at the end of the movie. It
is his best song. The story is dark. Davis recorded an album
with a partner who committed suicide. Davis, played by Oscar Isaac,
has a good voice but lacks the strength and stage presence to be a lead solo
act. Davis is adrift. He sleeps on couches at friends’
apartments. There is a strange sequence of Davis driving to Chicago
with Roland Turner, a heroin addicted jazz singer played by John Goodman, in
the back seat. The Turner character is fascinating and could be a Coen
movie all by himself. Davis sleeps at the home of a folk singing
couple played by Carey Mulligan and Justin Timberlake. Mulligan has
some of the best lines – truly, sarcastically funny – in the movie. As is
often the case with Coen Brothers films, the minor characters are more
interesting than the main character. F. Murray Abraham has a brief scene
as the Chicago folk club owner who defines Davis and defines Isaac: a
weak lead. There is a repeated scene outside the Village club that
presumably tells us that our acts have consequences. The second time
the scene is shown it makes sense, however, when first shown, its purpose is a
mystery. In its 105 minutes, the movie nails Greenwich Village circa
1961 with strong dialogue and music I haven’t heard in a long
while. There is a lot to like about this film, especially if you’re
of a certain age. If you are a Coen Brothers fan, this film is a must
see. And the opposite also holds true partly because the Davis character
is just not a nice person.
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