The Theory of Everything: the Stephen Hawking
movie. Sometimes an interesting story, when coupled with excellent
acting, is enough. This film, which is based on Jane Wilde Hawking’s
autobiography, opens with Stephen Hawking as a 21-year old doctoral candidate
at Cambridge and runs through the publication of his best seller “A Brief
History of Time”. It is a story about the individuals, Stephen and Jane,
and their marriage. Eddie Redmayne gives a magnificent performance
as Hawking. (I’ve now seen three films in a row where the leading
male actor offers an Oscar quality performance.) Prior to seeing Theory
of Everything, I knew nothing about Hawking’s personal
life. Hawking and Jane meet at Cambridge and become involved prior
to learning that Hawking has been diagnosed with what the film calls “a motor
neuron disorder” - amyotrophic lateral sclerosis or, to most of us, Lou
Gehrig’s disease. At the time of diagnosis, Hawking is told he has
only two years to live; he is now 72. The film’s strength lies
primarily in the scenes with Jane (Felicity Jones), particularly when she
motivates and convinces Hawking not to let the disease own him. Jane,
Stephen or both are on screen for most of the film’s 123
minutes. The first half of the movie is a true love
story. There are also some comic lines, partly based on the fact
that Hawking was able to father 3 children, the last one after the disease had
taken considerable control over his body. James Marsh is the director and
he allows the story to unfold. Unfortunately, the film drifts into
focusing on Hawking’s awards without really explaining the change that had
occurred in the couple’s relationship. Also, one is left to wonder
whether the fact that Hawking has lived 50 years longer than originally
predicted is due solely to excellent medical care. The films holds your
interest because it doesn’t try to explain the math. It would, however,
have been a more fulfilling story if we’d been given more of an explanation as
to what happened in the relationship and why Hawking has so thoroughly
surpassed the ALS survival odds. That said, fundamentally, Redmayne
and Jones’ performances are sufficient reasons to see this film.
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