The Revenant: a 21st century telling
of a 19th century tale. This film is based on the true story
of Hugh Glass, a Mountain Man who was left for dead after being attacked by a
Grizzly bear. This is the second telling by Hollywood, the first
being Man in the Wilderness, a 1971 movie in which Richard Harris played
the Glass character. The Revenant begins in 1823 in the Upper
Missouri River region where fur trappers are hunting in Arikara Indian
territory. The movie was actually filmed in Canada and
Argentina. Glass had been married to a Pawnee woman and has an adolescent
son. The bear mugging scene is truly incredible, but there is so
much more to this movie. The talents of director Alejandro Inarriu and
cinematographer Emmanuel Lubezki are confirmed by the fact that at the end of
this movie, I was freezing from watching scene after scene of a bitterly harsh
winter. Leonardo DiCapario’s performance is remarkable and he truly
deserves to win his first Oscar. The storyline itself is simple. After
Glass is mugged by the Grizzly, the leader of the trapping party leaves Glass
in the care of two of his men, John Fitzgerald (Tom Handy in an excellent
performance) and 19 year old James Bridger (Will Poulter), until “the
inevitable” occurs, with instructions to give Glass a proper
burial. When Glass fails to succumb, Fitzgerald and Bridger abandon
him. The rest of the movie deals with Glass surviving the 200+ mile
dead-of-winter journey to Fort Kiowa and his Hollywood interaction with
Fitzgerald. I won’t comment further on the film’s conclusion or its
link to the factual story; the scenes as presented in the film
work. If you want to know more, email me and I’ll follow up with
you. At 156 minutes, the film runs a little long. It is
violent, but it is depicting violent times about men whose very existence
depended on dealing with the harshness of nature and an uncivilized
world. The film’s technical work is amazing. I describe this film
as a 21st century telling primarily because the Native American
characters are accurately portrayed and the dialogue is
real. Inarrritu co-wrote the script with Mark Smith. The film
is based upon the 2002 novel by Michael Punke, who based his story on Glass’
tales. This film deserves whatever Oscars it is awarded. I
would, however, still give the Best Picture Oscar
to The Big Short.
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