My Cousin Rachel: a gothic drama based upon the
Daphne Du Maurier novel of the same name. The story takes
place in the 1830’s primarily on a estate in Cornwall. The principal
male character is Philip Ashley (Sam Claflin), who was orphaned as a child and
raised by his older cousin, Ambrose Ashley (also played by Claflin). A
key to the unfolding story is that Philip is raised without the significant
presence of any women. Following a brief foray into the characters’
background, we meet Philip as a man in his early 20’s. We learn that
he is entitled to receive his inheritance on his 25th
birthday. Due to health concerns, guardian/cousin Ambrose is residing in
sunny Italy. Through Ambrose’s letters to Philip, we are introduced
to Rachel (Rachel Weisz), whom Ambrose has met in Italy, and learn that Ambrose
and Rachel have married. After the marriage occurs Ambrose’s
correspondence with regards to Rachel turns dark. Ambrose summons Philip
to Italy, however, by the time Philip arrives, Ambrose is dead. The
Italian lawyer advises Philip that Rachel has left the villa and given the
lawyer instructions to liquidate the Italian assets. Philip, in anger,
returns to Cornwall. Then Rachel arrives. The film hints
that Rachel is a “Black Widow” but, as the tale unfolds, ambiguity takes center
stage. Almost upon first sight, Philip’s anger towards Rachel melts
as he falls in love with her. Rachel’s
feelings are far more complex. There are other people at Cornwall –
house and field servants - but they are clearly secondary
characters. The cinematography is outstanding and brought to mind
another British period drama, Barry Lyndon. The directorial
talent of Robert Michell, Weisz’s excellent performance and the spectacular
camera shots make this 106 minute film worth seeing. The degree to
which you enjoy the film will depend, I think, on your reaction to
Philip. Personally, I could not relate to him. He is an upper
class man-child of 1830’s England whose world and lifestyle is totally foreign
to present day sensibilities. While
I understand that Philip is smitten by Rachel, it is hard to empathize with his
behavior. I note that my comments are shared in the context of Weisz
dominating every scene in which she appears. It is admittedly a bit
early in the year, but Weisz’s performance is definitely Oscar worthy. In
fact, both Weisz and the film’s cinematographer are deserving of
nominations. This version of My Cousin Rachel is a remake of
the 1952 movie starring Olivia de Havilland and Richard Burton who, I
understand, played Philip with a touch of madness. I’ve not seen the 1952
film, but seeing a deeper, more complex version of Philip would have elevated
this film’s rating to four stars.
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