Darkest Hour: a Winston Churchill movie.
2017 was a year for Churchill, both directly (the excellent “Churchill &
Orwell: The Fight for Freedom” written by Thomas E. Ricks) and indirectly (Dunkirk).
Darkest Hour opens in May 1940. The outlook for Great Britain is
bleak. The Germans are overrunning France and the devastating invasion of
Belgium and the Netherlands are close at hand. Neville Chamberlain’s
“peace in our time” program has failed, and despite the ruling Conservative
Party’s distrust and fear him, Churchill becomes Prime
Minister. This 125-minute film focuses on the myriad crises facing
Britain and Churchill, including the Conservative Party’s obstinate inability
to comprehend that one cannot make a deal with Hitler. The story, written
by Anthony McCarten and directed by Joe Wright, is limited to the first few
weeks of Churchill’s reign as Prime Minister. The film lays out
Churchill’s many foibles - his self-doubts, his drinking and acerbic behavior –
as well as his intense intellect and deep compassionate for those whom he
loved. Gary Oldman as Churchill gives an Oscar worthy performance
and “Darkest Hour” is worth seeing just to marvel at Oldman’s
presentation. The talent in this film is not limited to
Oldman. Ben Mendelsohn is excellent as King George, who is portrayed
very differently from the character we met in The King’s Speech.
Stephen Dillane as Viscount Halifax and Ronald Pickup as Chamberlain are
outstanding. Although her screen time is limited, Kristin Scott Thomas as
Clementine Churchill, is superb, as is Lilly James as Elizabeth Layton,
Churchill’s secretary. Of particular note is the subway scene
towards the end of the film showing Churchill interacting with average British
citizens. Contrary to the impression that might be given from the
trailers, Darkest Hour is much more than just Churchill’s
speeches. I highly recommend this superbly acted film, which offers
a stunning contrast to the politics of America 2018.
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