Anita: an excellent documentary that focuses on what
Anita Hill has done with her life since the Clarence Thomas
hearing. The first half of this 85 minute film places Hill’s
testimony in the context of being heard by an all-male, White judicial panel
addressing a subject that most of them probably never spent any time thinking
about: sexual harassment. If the same testimony was given
today, I’m quite sure the final confirmation vote, if it even got to that
point, would be different. As it was, the vote was the narrowest
favorable confirmation ever for a Supreme Court justice, 52 to 48. I
had forgotten just how close the vote was. The film clips used by
the director, Frieda Lee Mock, included a scene of female members of the House
of Representatives, including Patsy Mink, walking up the Capitol steps with the
intention of addressing the senators on the issue of sexual
harassment. They were not given the opportunity to testify.
The movie notes that there were other women prepared to give testimony
consistent with Hill’s but the committee chose not to call them. The
1991 Senate clips are not lengthy. There are segments of interviews
with individuals in whom Hill had confided in the previous 7 years regarding
the exact events in which Senator Spector tried so hard to create
disbelief. The film also shows the brilliance of having Thomas use
the phrase “high tech lynching” in his defense and ignore the substance of
Hill’s testimony. The lack of either a female or a non-White on the
judicial panel had historic impact. But this film is not just a retelling of an historic
event. The movie explores Hill’s positive life and actions during
the 20+ years since the hearing. She has been active with community
groups addressing the all too present issue of sexual
harassment. Hill left her tenured position at the University of
Oklahoma law school for a professorship at Brandeis University.
Frieda Mock previously won a documentary Oscar and this film could result in a
further nomination. The movie immediately gets your attention as it
opens with a phone message recording Hill received in 2010 from a person
identifying herself as Ginni Thomas, Clarence’s wife, asking if Anita was
finally ready to apologize for her testimony. The recording is real
but no one knows if the speaker was actually Ginni Thomas and, if so, why it
was made on a Saturday morning to Hill’s office number. The film leaves
no doubt that Hill has no reason to apologize and also how one does not let a
single event control one’s life.
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