12 Years a Slave: a brutally honest portrayal of
slavery. This film is neither a Gone with the Wind whitewash
nor like any other Hollywood production you have seen regarding the pre-Civil
War South. The film tells the true story of Solomon Northup, one of
the few free Black individuals who successfully regained his freedom after
being kidnapped and sold into slavery. Solomon wrote of his experience 8
years prior to the Civil War (1853 publication date). I will be
shocked if John Ridley is not nominated for an Oscar for his screen play
adaption. The director is Steve McQueen, a British citizen, and I’m
confident that he, too, will receive a nomination for Best Director, as should
the film. The movie opens with a brief slave quarter scene that is
reshown in part later in the film. You are then presented with the life
Solomon had been living in upstate New York with his wife and two children
prior to being tricked, chained and sold into slavery. Solomon, played
brilliantly by Chiwetel Ejiofor, made his living as a
violinist. Solomon is introduced to two men who ask him to accompany
them to Washington D.C. for a 2- week job playing with a circus. In D.
C., they buy him an expensive dinner and drug his wine. Solomon awakes chained
and his 12 years as a slave commences. The year is
1841. The cast is excellent with appearances by well-known actors in
brief but critical roles. Paul Giamatti plays the heartless seller
of humans. Alfre Woodard has a short scene as the well cared for
mistress of a slave holder. In a more extended role, Benedict
Cumberbatch, one of my favorite actors, plays the so-called good slave master
while Michael Fassbender, another excellent actor, is the abusive plantation
owner, Edwin Epps, who buys Solomon’s contract from the Cumberbatch
character. Both the good and evil slave owners conduct Sunday church
services and quote bible passages to justify their behavior. The
savagery of the system is shown, including the common use of whippings, the
prevalent rapings of Black women, the ease with which people were killed, and
the physical and psychological violations committed. The film also
depicts the twisted mind-set of the slave owners’ wives. The character
played by Brad Pitt, a Canadian who is hired by Epps to work on a construction
project, is a bit odd but perhaps it was just the accent Pitt chose to
use. Pitt was a co-producer. The second half of the 134 minute film
takes place on the Epps’ Louisiana cotton farm and these scenes will stay with
you. There are many strong performances. Of particular note
is Lupita Nyong’o’s portrayal of Patsey, Epps brutalized favorite. Both
Fassbender and Nyong’o will probably receive nominations for best supporting
actor and actress. The fact that a significant percentage of the U.S.
population once supported the slavery system is deplorable. So, too, is
the fact that it has taken until now, 150 years after Abraham Lincoln’s
Emancipation Proclamation, to finally and accurately dramatize the absolute evil
and horror of America’s slavery system. This movie is not
entertainment but rather a realitistic depiction, the consequences of which
continue to impact us today. This is a must see film.
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