Free State of Jones: not your typical American
Civil War movie. Matthew McConaughey stars as Newton Knight, a poor
farmer from Jones County, Mississippi. The opening scenes portray
the violence of battle you would expect from a civil war film but, thereafter,
the story becomes much more than a military tale. From the time
Knight decides to take his nephew’s body home and desert his Confederate regiment,
the film concentrates on Knight’s struggle to forge a free state for both white
and black people. This film is based on a true story about an individual
who leads an armed rebellion against the Confederacy and much of the cinematic
telling is accurate. Gary Ross is the director and screenwriter.
Jones County is comprised of significant swamp land, which provides plenty of
cover for those slaves escaping to freedom early on. When the Confederacy
issues an edict that exempts sons of farmers owning 20 or more slaves from the
draft, the individual white farmers of Jones County choose to throw in with
Knight and the runaway slaves and fight the Confederacy. The romance
between Knight and Rachel (Gugu Mbatha-Raw), a domestic slave who supplies
fugitives with supplies from the plantation house, is true. Running
through the film is a story from 1948 about a descendent of Knight who, because
of his 1/8th Black heritage, is prosecuted for marrying a
white woman. The period of poor white farmers and former slaves working
together is short lived. This 139-minute film ends with scenes of the
Reconstruction and the rise of the Ku Klux Klan. Smithsonian Magazine
(March 2016) has an article about how controversial a figure Newton Knight
remains to this day in Jones County. There are strong performances by
Mahershala Ali as Moses and Brad Carter as bad guy Confederate Lieutenant
Barbour. McConaughey’ s performance is excellent and he may
earn another Oscar nomination. Cinematographer Benolt Delhomme also
deserves mention as his ability to connect us with the physical environment is
an integral part of the story. This film tells of a history I was
previously not aware of so while being entertained, I received a lesson about
our nation’s past. This is a film worth seeing.
Tuesday, June 28, 2016
Tuesday, June 14, 2016
Movie: Maggie's Plan
Maggie’s Plan: a romantic comedy. We
are told at the outset what “Maggie’s Plan” is. Maggie (Greta Gerwig)
tells her friend Tony (Bill Hader) that she wants to become a mother.
During the course of the conversation, we glean bits and pieces of background
information such as Maggie’s inability to maintain long term
relationships. Maggie’s plan is to inseminate herself. She has
found a donor, Guy (Travis Fimmel), someone both Maggie and Tony knew in
college; friends with no romantic ties among them. Tony is married
to Felicia (Maya Rudolph). More scenes with Tony, Felicia and Maggie
would have made this enjoyable film even more fun. Donor Guy owns a
pickle factory in Brooklyn and, as Tony notes, has social issues. As
the arrangement with Guy starts falling into place, Maggie meets John (Ethan
Hawke), a part-time professor whose area of expertise is “ficto-critical
anthropology”. John is married to a tenured Danish Columbia University
professor named Georgette (Julianne Moore) with whom he has two
children. John is trying to write a novel. At this point, of
course, Maggie and John connect and become a couple. The film then leaps
forward about three years. Maggie is tired of taking care of John
who, as we knew from the start, is self-absorbed and allergic to sharing, which
is exactly how John describes Georgette. We know Maggie is a person
who likes to be in control, however, trying to control her own daughter plus
parenting John and Georgette’s children proves overwhelming. Maggie
comes up with a new plan: get John and Georgette back together. The
cast is excellent, and there is a cameo appearance by Wallace
Shawn. While I never bought into the John-Maggie relationship, I
still thoroughly enjoyed this film. Everything is done with a light
and humorous touch under the talented guidance of Rebecca Miller, who is both
director and screenwriter. This 98 minute gem shines with a delightful
charm. The bounty of smiles, gentle laughs and adult humor make this
movie a positive and pleasant respite.
Wednesday, June 1, 2016
Movie: Alice Through the Looking Glass
Alice Through the Looking Glass: not what
Lewis Carroll had envisioned. Quite frankly, it was not what I was
expecting either considering that the script’s author is Linda Woolverton, the
same person who penned Tim Burton’s Alice in Wonderland. To
create a successful movie based on a Lewis Carroll novel, a certain degree of
nonsensical disorder is necessary. However, in this film directed by
James Bobin, there is oftentimes only disorder. While certain
individual scenes are brilliant, the overall result is massive disarray and
confusion. Part of the problem is that much of the original story
has been jettisoned without benefit of a solid creative
replacement. We have the Mad Hatter (Johnny Depp) looking for his
family, within a father-son schism, after we all understood the family had
died. There is that Nice Girl/Mean Girl thing going on between the
Red Queen (Helena Bonham Carter) and the White Queen (Anne Hathaway). Carter’s
performance is strong while Hathaway is, again, just Hathaway. To the
extent this movie has any storyline, it is about time travel: Alice (Mia
Wasikowska) steals a gyroscopic time machine in an effort to alter the
past. I enjoyed Sacha Baron Cohen in the role of Time, but even he has
problems with the bizarre script. During the course of the film’s
113 minutes, the typical “Alice in Wonderland” characters make their
appearance, and when Tweedledee & Tweeledum (Matt Lewis), the White
Rabbit and company are on screen, the film has a more centered, enjoyable
feel. Their presence, however, is quite limited and cannot rescue
this confused tale. IF you’re set on seeing this film, see it in a
theatre so you can at least savor the special effects. As to whether you
should make the effort to see this film, my answer would be no.
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