Alice Through the Looking Glass: not what
Lewis Carroll had envisioned. Quite frankly, it was not what I was
expecting either considering that the script’s author is Linda Woolverton, the
same person who penned Tim Burton’s Alice in Wonderland. To
create a successful movie based on a Lewis Carroll novel, a certain degree of
nonsensical disorder is necessary. However, in this film directed by
James Bobin, there is oftentimes only disorder. While certain
individual scenes are brilliant, the overall result is massive disarray and
confusion. Part of the problem is that much of the original story
has been jettisoned without benefit of a solid creative
replacement. We have the Mad Hatter (Johnny Depp) looking for his
family, within a father-son schism, after we all understood the family had
died. There is that Nice Girl/Mean Girl thing going on between the
Red Queen (Helena Bonham Carter) and the White Queen (Anne Hathaway). Carter’s
performance is strong while Hathaway is, again, just Hathaway. To the
extent this movie has any storyline, it is about time travel: Alice (Mia
Wasikowska) steals a gyroscopic time machine in an effort to alter the
past. I enjoyed Sacha Baron Cohen in the role of Time, but even he has
problems with the bizarre script. During the course of the film’s
113 minutes, the typical “Alice in Wonderland” characters make their
appearance, and when Tweedledee & Tweeledum (Matt Lewis), the White
Rabbit and company are on screen, the film has a more centered, enjoyable
feel. Their presence, however, is quite limited and cannot rescue
this confused tale. IF you’re set on seeing this film, see it in a
theatre so you can at least savor the special effects. As to whether you
should make the effort to see this film, my answer would be no.
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